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Jean Honore Fragonard La Visite a la nourrice oil painting


La Visite a la nourrice
Painting ID::  75342
Jean Honore Fragonard
La Visite a la nourrice
Huile sur toile - 64 X 79,5 cm, National Gallery of Art cyf

   
   
     

Jean Honore Fragonard Portrait of Denis Diderot oil painting


Portrait of Denis Diderot
Painting ID::  77489
Jean Honore Fragonard
Portrait of Denis Diderot
ca. 1769(1769) Medium Oil on canvas Dimensions 81.5 ?? 65 cm (32.1 ?? 25.6 in) cyf

   
   
     

Jean Honore Fragonard Die Lesende oil painting


Die Lesende
Painting ID::  78699
Jean Honore Fragonard
Die Lesende
Oil on canvas Dimensions 81 x 65 cm (31.9 x 25.6 in) cyf

   
   
     

Jean Honore Fragonard Portrat des Abb de Saint Non in einem Phantasiekostum oil painting


Portrat des Abb de Saint Non in einem Phantasiekostum
Painting ID::  78778
Jean Honore Fragonard
Portrat des Abb de Saint Non in einem Phantasiekostum
. 1775(1775) Medium Oil on canvas cyf

   
   
     

Jean Honore Fragonard Die Lesende oil painting


Die Lesende
Painting ID::  79354
Jean Honore Fragonard
Die Lesende
Oil on canvas Dimensions 81 x 65 cm (31.9 x 25.6 in) cyf

   
   
     

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     Jean Honore Fragonard
     1732-1806 French Jean Honore Fragonard Locations French painter. He studied with François Boucher in Paris c. 1749. He subsequently won a Prix de Rome, and while in Italy (1756 ?C 61) he traveled extensively and executed many sketches of the countryside, especially the gardens at the Villa d Este at Tivoli, and developed a great admiration for the work of Giovanni Battista Tiepolo. In 1765 his large historical painting Coresus Sacrifices Himself to Save Callirhoë was purchased for Louis XV and won Fragonard election to the French Royal Academy. He soon abandoned this style to concentrate on landscapes in the manner of Jacob van Ruisdael, portraits, and the decorative, erotic outdoor party scenes for which he became famous (e.g., The Swing, c. 1766). The gentle hedonism of such party scenes epitomized the Rococo style. Although the greater part of his active life was passed during the Neoclassical period, he continued to paint in a Rococo idiom until shortly before the French Revolution, when he lost his patrons and livelihood.

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